Avett Brothers: True Sadness & Happy Nostalgia

aveWhile much of the Avett’s newest body of work carries the raw weight of mistake and regret, the underlying theme circles back to redemption and perseverance. Friday and Saturday’s performances echoed that message, as we saw a more refined, more jubilant nod to the band’s earlier hits. This motif was most exemplified by the reappearance of “January Wedding” during Saturday night’s show, a song that has rarely been performed live since Seth’s divorce in 2013. On the surface, this piece could be viewed as a special performance, reserved for a special venue, but it also seemed to represent the band’s symbolic emergence from more tumultuous times.

That injection of new life was also apparent during Friday night’s opening 45-minute sequence, kicking off with “Down with the Shine” off 2012’s The Carpenter. What followed included classic Avett hits ranging from the always upbeat, but refined playfulness of “The Fall,” to the staccato riffs showcased in a revamped version of “Another is Waiting.” “Go to Sleep” showcased the powerful yet solemn refrain of diehard Avett fan’s coo-ing to a chorus of “la dah’s,” which then segued perfectly into the purposeful layered humming intro of “Offering.” Continuing along a more reverent tone, Scott appeared solo with a stripped down intimate performance of “Murder in the City,” which featured the revised verse, “Make sure my daughters know I love them, make sure my son knows the same.”

What makes a live Avett performance at Red Rocks all the more special, is their ability to draw in crowds through the feeling of a private performance, while also enveloping all 10,000 attendees with anthems like “Laundry Room,” and “Ain’t No Man.”

An Avett weekend at Red Rocks has recently developed the type of cult following received by the likes of John Butler Trio and Widespread Panic, but does so through an ever fresh perspective of work and tone. While audiences can be taken for a ride through the Avett Brothers’ undulating emotional messages, their common refrain, which translates in all intentional aspects of their work, was showcased most clearly this weekend.

Leave a Reply